This sculpture is a significant classical Greek artifact classified as a caryatid, a common architectural element in both Greek and Roman structures. Caryatids are statues, typically female figures, prominently utilized as supportive columns or pillars in various buildings from temples to residences.
Standing upright at approximately 2 meters high, this Caryatid is carved from fine-grained marble. Her form is skillfully crafted, as evident in her drapery's execution, an indicative trait of Greek sculptures from the classical period.
She is clothed in a chiton and a himation, both traditional garments of her time. The chiton, a sleeveless woolen tunic, is portrayed through careful sculpting of folds, creating a sense of depth and contour. The himation, a heavier outer garment, is draped over her shoulder and waist, allowing a three-dimensional and dynamic form despite her static nature.
Her hair is styled simply, tied back, highlighting her facial features which follow the classical period's beauty ideals: tranquil, thoughtful and symmetrical. These aspects allow for the dating of this artifact to the late classical period of ancient Greece, specifically the 5th century BC.
Serving as both a structural element and a decorative piece, she carries the entablature's weight, displayed through her elevated left hand – a distinguishing trait against the traditional passive pose of caryatids. The robust nature of her function is contrasted with the ornate relief patterns adorning the pedestal, a testament to the sculptor's proficiency.
