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Attic black figure cup with deep bowl, high “wishbone” handles. Side A: battle over a fallen warrior, with two nude figures bearing away the corpse; Ramage suggests that the nude figures might represent Sleep and Death, rather than mortal combatants. At the right, a separate battle between two warriors, one of whom wears a horned helmet. Side B: the hunt for the Calydonian boar. Two hunters attack the boar from the left, and three hunters, including a woman (Atalanta, kneeling), attack from the right. A dog savages the boar’s back. Above, painted inscriptions read “Drink, and be merry!” (above the boar, on the left) and “Boar” (on the right). Interior: a running youth or warrior. The inscription surrounding him has been interpreted as a garbled potter’s signature. Mended from fragments; foot missing, restored. Attributed to the Painter of the Sardis Merrythought Cup (Ramage).


ca. *402.1
Ca. mid-sixth century BC, Lydian
Greek
ΧΑΙΡΕ ΚΑΙ Π[ΙΕ Η]ΥΣ
“Drink and be merry”; “Boar”
Varia
Ceramic
Manisa, Archaeological and Ethnographic Museum, 2137
Pottery, Inscription
Painter of the Sardis Merrythought Cup
Merrythought Cup
Attic Black Figure
P60.599
AC
Sardis
AcT

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